Ç÷ ǽ¹°¡¡SAKO, Yoshihiro


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  • 1971 ǯ ÆàÎɸ©ºù°æ»ÔÀ¸¤Þ¤ì
  • 1992 ǯ ÄÔÀ¶ÌÀ»á¤Ë»Õ»ö
  • 1995 ǯ ÀÐÀΩ¶åë¾Æµ»½Ñ¸¦µæ½ê´¶È
  • 2000 ǯ ¿®³Ú¤Ë¤ÆÆÈΩ
  • 2009 ǯ Âè 56 ²óÆüËÜÅÁÅý¹©·ÝŸÆþÁª
  • 2010 ǯ ·êÍÒÃÛÍÒ
  • 2015 ǯ Âè 62 ²óÆüËÜÅÁÅý¹©·ÝŸÆþÁª
  • 2017 ǯ Âè 64 ²óÆüËÜÅÁÅý¹©·ÝŸÆþÁª
  • 2018 ǯ Âè 29 ²ó½¨ÌÀʸ²½´ð¶â¾Þ¼õ¾Þ¡¢ÆüËÜÆ«¼§´ï¶¨²ñ¾©Îå¾Þ¼õ¾Þ

Sako Yoshihiro is an artist who makes full use of the anagama kiln, but what he aims for is not the so-called "Shigaraki ware," but rather he attempts to express the characteristics of the clay by making full use of carbonization and kiln changes. This is likely due to his desire to "create a work that expresses my relationship with the surrounding nature." The sculptures have a soft look, and are pulled up on a potter's wheel and fired in the Nanban style.
When fired in the Nanban style in Shigaraki, this is what it looks like. I think this is also one attempt to create a new Shigaraki ware statue.

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